Blurring Lines began with a simple question: what happens when a painting leaves the wall and becomes an object in space?
In this series, I blur the boundaries between painting and sculpture by transforming the canvas into a three-dimensional form. I want my work to be experienced not only as an image, but as something with weight, texture, and presence—something that interacts with light, space, and the viewer from every angle.
Each piece is built from discarded materials and found objects that I collect and reimagine. I'm drawn to these forgotten fragments because they carry traces of previous lives. Once removed from their original purpose, they become building blocks for new stories, where memory, time, and material come together.
Paint is not simply applied to the surface; it wraps, binds, and shapes the work itself. It becomes a skin that unifies these reclaimed elements into forms that feel both ancient and contemporary—like fragments of monuments or relics from an imagined past.
Through Blurring Lines, I explore transformation: of materials, of painting as a medium, and of the way we perceive the objects that surround us. By giving discarded materials a new presence and purpose, I invite viewers to look more closely at what we value, what we leave behind, and the stories that remain.
