Blurring Lines began with a simple question: what happens when a painting leaves the wall and becomes an object in space? In this series, I blur the boundaries between painting and sculpture by transforming the canvas into a three-dimensional form. I want my work to be experienced not only as an image, but as something with weight, texture, and presence - something that interacts with light, space, and the viewer from every angle.
Each piece is built from discarded materials and found objects that I collect and reimagine. I'm drawn to these forgotten fragments because they carry traces of previous lives. Once removed from their original purpose, they become building blocks for new stories, where memory, time, and material come together.
Paint is not simply applied to the surface; it wraps, binds, and shapes the work itself. It becomes a skin that unifies these reclaimed elements into forms that feel both ancient and contemporary fragments of monuments or relics from an imagined past.
These sculptural paintings evolve into room-like forms: They are not representations of existing places. They are emotional architectures - spaces that exist somewhere between memory, dream and perception. Every surface carries the possibility of previous encounters, forgotten gestures and imagined narratives, where abstract forms become psychological landscapes and viewers are invited to project their own memories and emotions onto them. The viewer is invited to inhabit an uncertain space where familiar architectural elements dissolve into atmosphere, texture and light. These interiors become containers for emotions, fragments of recollection and subconscious associations. Silence, absence and anticipation become invisible materials that shape these environments as much as colour, line or form.
Through Blurring Lines , I explore transformation: of materials, of painting as a medium, and of the way we perceive the objects that surround us. The work unfolds in the space between what is seen and what is remembered. By giving discarded materials a new presence and purpose, I invite viewers to look more closely at what we value, what we leave behind, and the stories that remain. The rooms become metaphors for states of mind, places where memories overlap with imagination, where reality slowly transforms into fiction, and where the boundaries between the external world and the inner self become increasingly difficult to define.
